Friday, July 13, 2012
After five decades of Connell life on the shore of Lake Bistineau, Louisiana, the Clyde Connell house is vacant
Several major pieces of Clyde's art that have been part of the furnishings of her house have been donated to the Louisiana State Exhibit Museum (LSEM), Shreveport.
In the photo above are LSEM curator Nita Cole and Clyde's nephew, Dr. Pat Sewell, a neighbor on Lake Bistineau and also an artist. Also on hand for the art transit was LSEM director Wayne Waddell.
The piece being moved is the large and early "Swamp Song." This version features raised-wall enclosures fashioned from brown paper and glue. Some of the corral-like enclosures contain segments of cork from wine bottles. The surface of the piece is covered with automatic writing script in black paint. Additional pieces of light-colored torn paper punctuate the surface.
Connell created a large number of pieces on brown paper as she transitioned from her versions of the image of the lake ("Lake Verticals," her wavy-line logo, etc) to her hieroglyphic depictions of the sounds that surrounded the lake.
This "Swamp Song" was signed "Clyde Connell." Evidently she had not yet developed her cartouche-enclosed "CC" signature.
Waddell has been successful in reviving funding and activity at LSEM, the history and art center on Greenwood Rd, the Fairgrounds, Shreveport. It is a Smithsonian Institution Affiliate and on the National Register of Historic Places. Devotees of Connell will certainly appreciate LSEM as a new site for the preservation of the Connell legacy.
Please see images of moving day at www.flickr.com/photos/robert_trudeau.
Wednesday, June 13, 2012
Louisiana artist Clyde Connell (1901 - 1998) in 3-woman exhibit at the Hilliard Museum, University of Louisiana at Lafayette, Sept, 2012
The artists are Harriet Coulter Joor, Cora Kelley Ward, & Clyde Connell, says the Hilliard web site.
At the moment it is simply billed as an exhibit featuring "three women who lived their dream of becoming an artist."
But museum director Mark A Tullos, Jr, has written that "In the late 1980s I had an opportunity to spend an afternoon with celebrated Louisiana artist, Clyde Connell (1901 - 1998). Little would I have known then that her family would approach a museum I serve and offer to donate nearly 50 original works by Connell. The gift of artwork also came with a most generous cash gift to support care of the collection.
Our museum also received a tremendous gift of work, nearly 800 objects, by Eunice, Louisiana, native and mid-century New York abstract expressionist, Cora Kelley Ward (1920-1989), who worked within a circle of friends including renowned art critic and historian Clement Greenberg."
Joor (1875 - 1965) learned the art of pottery at Newcomb College, New Orleans, at the turn of the century. She spent a long career making and teaching pottery in places such as the Univ of Chicago and at ULL - then called USL.